
The recent exhibition of work by anonymous graffiti everyman Banksy at the city museum and art gallery in Bristol drew in more than 300,000 visitors in just under two months.
In fact, by the time it finished at the end of August, organisers must have been left thinking that it wasn't so much an event as a phenomenon.
The 'Banksy Effect', as it is now being called, injected an estimated £10million into the city's economy with everyone from airport chief executives to hot-dog sellers witnessing an upturn in sales at odds with the downturn in the economy. "Have you been to the Banky exhibition," has become the most asked question of the entire summer. To which I always give the same reply: "No I fucking have not."
The reason for this is simple. Banksy is crap. At best, his oh-so-cheeky addition to the vastly over-rated world of graffiti can be considered lighthearted social commentary. At worst, it is over-simplistic tabloid dribbling foisted on an under-informed public seemingly impressed by anything 'urban' who wouldn't normally set foot in a gallery. What it is not, however, is decent art. If this so-called spray can terrorist was working as a normal artist, he would be an absolute laughing stock. His ideas are simply not interesting enough, unique enough or, indeed, good enough to be taken seriously. And yet the Turner Prize loathing public have formed an almost permanent queue outside his first exhibition, even braving the seemingly endless summer rain to say they were there when this most modern of emperors paraded in his lovely new clothes.
"It's nice to see it's been so popular but it makes me a bit suspicious," said the can-holder himself about the overwhelming public response. He's got that right. Anyone doing anything that can be considered 'creative' should be rightly wary of being so hungrily accepted by a local news media who usually spend the majority of their time covering stories about mysterious cake thefts in small villages in Somerset and any event featuring a fly-over by the Red Arrows. Put it this way: if Banksy was, in any way, challenging, ground-breaking or upsetting to viewers aged 60 and over, BBC Points West wouldn't go anywhere near him.
Somewhere in a graveyard in Rouen, Marcel Duchamp is raising his eyebrows in resignation.